Author: artoronto

  • The Grey Area

    Opening: Thursday, December 2, 7 p.m.
    GALLERY 1313

    An Exhibition of Work by Cindy Blazevic and Pascal Paquette is extended until December 11.

    Pascal Paquette , Cindy Blazevic, & Sarianna Mileski

    This exhibition is an epilogue to the artists’ project, The Culture  Lobby, which took place in the Balkans 2007–2010.


    The Grey Area is a site-specific installation of post-war documentary photography and painting about the shared post-war experiences,  symbols and culture of the Western Balkans.

    The reception was fun, and visitors were intrigued with the exhibition.

    Artists Christopher Arnoldin and Dorian Fitzgerald. Fitzgerald has an exhibition currently on at Roenish Gallery.

    There was Croatian Beer, Ožujsko, and the conversation flowed throughout  the evening. Artists Cindy Blazevic and Pascal Paquette were on hand to greet visitors and friends and guide them through their exhibition.

    Text and Photo: Phil Anderson

  • Art Salon

    The upper level

    Opening: Saturday, December 3, 3 – 6 pm
    DE LUCA FINE ARTS /GALLERY

    The third exhibition at De Luca Fine Arts / gallery at its new location at 217 Avenue Road was a very well presented group show of  22 gallery artists from all over the world. It was a first show occupying both the upper and lower level of the new gallery. The interior itself is beautiful with new walls and an opening to a spacious backyard, a potential sculpture gallery.

    The higher level had mainly large paintings By Toni Calzetta, Flavio Belli and others.

    Transform your smartphone with coque telephone logicom le swipe – the ultimate second skin for your device. Elevate your style and protection, catered to phone accessory enthusiasts seeking quality and innovation.

     Artist Tony Calzetta in front of his painting

    Artist Flavio Belli with his mixed media painting

    Artist Michael Toke and visitors

    The lower level has a nice shadowbox with Abraham Anghik Rubin inuit influenced sculptures, Janet  Bellotto’s lightbox with a playful tranparency, photgraphs by Vincenzo Pietropaolo among many other  interesting art pieces.

    The reception was well attended with many artists are disputing each others’ works and visitors from the beautiful condo neighbourhood and from all over the city.

    Artists Jiri Ladocha and Yuri Doic

    Photo: Corrado De Luca

  • Temporary

    Rafael Ochoa, digitally altered found image, 2011

    December 10 –  23, 2011
    Opening: Saturday, December 10, 2-5 pm
    LOOP GALLERY
    1273 Dundas Street West
    Toronto, ON, M6J 1X8
    T: 416.516.2581
    E-mail:loopgallery.patricia@gmail.com
    http://loopgallery.blogspot.com
    www.loopgallery.ca
    Hours: Wed–Sat 12–5 p.m., Sun 1–4 p.m.

    Loop Gallery is pleased to announce a group exhibition by York University MFA students entitled Temporary. Temporary includes work by Andreas Buchwaldt, Jon Claytor, Patrick Cull, Matthew Gardiner, Phil Irish, Thea Jones, Braden Labonte, Rafael Ochoa, and Luke Siemens.

    These current York MFA artworks are temporarily exhibited together, on the condition that they adhere to a guiding rule: they must continue the original artistic intent of the work while playing nicely with others. Each piece is either bent, creased, folded, re-mediumed or re-considered to fit in by pulling back the original number to about 33%. Think of the frame surrounding content in a blog or print publication—or patterns in the selected visual content, like an image of a person attending a kind of symposium. Although there are thematic utterances internal to the works, these are not a reading stricture on the total statement. This framework is only a phase that has run its course and viewers will value works realized through sincerity most.

    This exhibition is part of a series of programming by part of YU Special Projects. YU Special Projects is a special initiative of the Visual Arts Department of York University. Focused on making connections between the art community in downtown Toronto and York undergraduate and graduate students, YU Special Projects provides various exhibitions, professional development/exchanges and opportunities towards the enrichment of student experience. Temporary and YU Special Projects are generously supported by the York University’s Provost’s Office through the Academic Innovation Fund. For more information on YU Special Projects, please contact Jessica Thalmann at jessica.thalmann@gmail.com.

    Please join the artists in celebrating the opening reception on Saturday, December 10th from 2–5 p.m.

  • Eyeball

    Thursday, December 8, 6-9 p.m.
    UNIVERSITY OF TORONTO
    1 Spadina Crescent

    University of Toronto’s annual Eyeball is the Fine Arts/Architecture Department’s exhibition, showcasing the work of graduate and undergraduate students.

    Come and celebrate the end of the semester – join students and friends for the art (and food, cash bar and music!).

  • Heffel’s Fall 2011 Auction

    Live Auction: Thursday, November 24, 2011
    PARK HYATT HOTEL
    4 Avenue Road
    4:00 p.m. EST, Canadian Post-War & Contemporary Art
    7:00 p.m. EST, Fine Canadian Art

    David K. J. Heffel, president of Heffel Fine Art Auction House

    AUCTION BREAKS WORLD RECORD FOR A CANADIAN CONTEMPORARY PAINTING, TOTAL SALES REACH $16.73 MILLION – Heffel’s Fall 2011 Auction is now the fifth highest grossing live auction.

    The Canadian post-war and contemporary art session, which commenced at 4 p.m. EST, had sales totalling $6.95 million, making it the second highest post-war and contemporary Canadian sale ever conducted by Heffel. The fine Canadian art session began at 7 p.m. EST and had a sales total of $9.6 million.

    November 24, 2011, opened the Heffel Fine Art Auction House Fall 2011 Canadian Auction season with a record-shattering sale of masterworks from prominent estates, placing it within the top 10 grossing auctions of Canadian art of all time. The auction, held in Toronto, attracted more than 400 attendees and resulted in $16.73 million in total sales (all prices are in Canadian dollars and include a 17 per cent buyer’s premium) and is now the fifth highest grossing live auction in Canadian history. Of the 190 lots, three sold for more than $1 million dollars and more than 30 works sold for more than $100,000.

    David K. J. Heffel, president of Heffel Fine Art Auction House auctions off Jean Paul Lemieux’s Nineteen Ten Remembered.

    Highlights

    Jean Paul Lemieux’s Nineteen Ten sold for $2.34 million, breaking the international auction record for a Canadian post-war and contemporary work. The record was previously set by Jean-Paul Riopelle (sold in May 2008 in NYC for CDN $1.89M), and this sale crowns Lemieux as the new reigning champion of post-war and contemporary Canadian art. In May 2011, Heffel sold another major work by Jean Paul Lemieux ushering him into the rarefied group of “million-dollar” Canadian artists, explains David K. J. Heffel, President and Auctioneer. “Tonight he becomes the first-ever contemporary Canadian artist to be crowned a two-million-dollar man.”

    Jean Paul Lemieux, Nineteen Ten, oil on canvas, 42 x 57 1/2in

    Lawren Stewart Harris’s Rocky Mountain Sketch CXXI (Mount Robson) was estimated to sell for $300,000~$500,000. After an intense bidding war, the notable piece exceeded the estimate, selling for $1.81 million. This was one of two works for which the consignee generously agreed to donate proceeds to Toronto’s Women’s College Hospital.

    Lawren Stewart Harris’s Rocky Mountain Sketch CXXI (Mount Robson), circa 1929, oil on board, 12 x 15 in

    Along with Harris, the auction also featured pieces by Tom Thomson and the Group of Seven, who are all enjoying renewed international interest given the current UK exhibit at London’s Dulwich Gallery.

    William Kurelek’s Return to Camp in Winter sold for more than double the estimate at $210,600 (estimate was $60,000 ~ $80,000). There is currently a large exhibit of his work at the Winnipeg Art Gallery

    Emily Carr’s War Canoe, Alert Bay sold for $1.22 million, breaking the record for most valuable Canadian watercolour sold at auction.

    Emily Carr,  War Canoe, Alert Bay, 1908, watercolour on paper, 10 5/8 x 15 in,

    The François Dupré Collection, among the most significant private collections of Canadian impressionism to ever be auctioned, was conservatively estimated to yield between $1 million and $1.5 million. These works were of particular interest as they had been hidden away in a bank vault for nearly 25 years. The collection surpassed estimates, selling for $2.27 million in the end, more than twice the low estimate. Highlights of this collection included Gagnon’s Environs de Baie-Saint-Paul ($315,900) Maurice Galbraith Cullen’s Lower Town, Quebec ($280,800), J. W. Morrice’s Régates à Saint-Malo ($526,500) and M. A. Suzor-Coté’s Winter Sunglow: Arthabaska ($269,100).

    “From works found lying in barn to hidden treasures that have been unseen for more than 20 years, many of the paintings consigned to us for this sale carry a fascinating past and are just outstanding,” said Mr. Heffel. “The resulting sales are a testament to the quality of works we were offering and we are very pleased with the results.”

    Other highlights:

    Jack Hamilton Bush’s Sing, Sing, Sing – New Record: $234,000

    Jack Hamilton Bush:  Sing, Sing, Sing, 1974 acrylic on canvas, 68 x 114 3/4 in

    Michael Snow’s Sideway – New Record: $175,500

    Anne Douglas Savage’s Paradise Lost – New Record: $64,350

    Robert Davidson’s Copper with Eagle Design – New Record: $52,650

    Kathleen Frances’s Daly Pepper Catskill Mountains – New Record: $40,950

    Adrien Hébert’s Stevedores Unloading a Ship, Montreal Harbour – New Record: $40,950

    Lise Gervais’ Les sentinelles – New Record: $38,025

    Lise Gervais, Les sentinelles, 1964, oil on canvas, 48 1/4 x 60 1/4 in,

    Kent Monkman’s Miss Chief: The Emergence of a Legend – New Record: $10,530

    David K. J. Heffel, president of Heffel Fine Art Auction House auctions off Paul-Émile Borduas

    About Heffel Fine Art Auction House: Heffel has sold more Canadian art than any other auctioneer worldwide, with over $275 million in art auction sales since 1995, and has conducted the most valuable live auctions of Canadian art.  Heffel is led by the most experienced team of fine art specialists in Canada. With offices and representatives in Vancouver, Toronto, Ottawa, Montreal and Calgary, Heffel provides superior client services to both sellers and buyers nationwide.  In addition to full-colour printed catalogues, Heffel publishes its entire live auction online at www.heffel.com <http://www.heffel.com/>, from initial promotion and illustrated lot listings, to the auction’s live multi-camera webcast.

    Text by Maricel Dicion

  • Coming After

    Pauline Boudry/Renate Lorenz, detail from No Future/No Past (still), 2011. Courtesy the artists
     
    December 10, 2011 – March 4, 2012
    Opening: Friday, December 9, 8 – 11 pm
    THE POWER PLANT CONTEMPORARY ART GALLERY
    231 Queens Quay West
    Toronto, Ontario M5J 2G8
    T: 416.973.4949
    E: info@thepowerplant.org
    thepowerplant.org
    Hours: Tues-Sun 12-6, Sat 12-8, Open holiday Mondays

    A group exhibition on queer time, arriving too late and the spectre of the recent past.

    CURATED BY JON DAVIES, ASSISTANT CURATOR

    Pauline Boudry/Renate Lorenz, Aleesa Cohene, Glen Fogel, Onya Hogan-Finlay, Christian Holstad, Danny Jauregui, Adam Garnet Jones, Jean-Paul Kelly, Tim Leyendekker, Benny Nemerofsky Ramsay, James Richards, Emily Roysdon, Dean Sameshima, Jonathan VanDyke, Susanne M. Winterling

    Featuring artists from New York, Los Angeles, Berlin, Toronto, and beyond, Coming After is a response to the recent renewal of interest in the period from the mid-1980s to early 1990s that was decisive for North American cultural politics. This time period witnessed the (first of many) Culture Wars, the birth of “queer” as an identity and theory, and the rise of a direct-action AIDS activist movement — epitomized by ACT UP — fighting a new plague that was devastating communities of artists, queers and people of colour. While these years were highly traumatic, they also represented a galvanizing, dynamic moment for queer citizenship — one that is arguably haunting our present and our future.

    This exhibition does not focus on those artists who were, as artist Christian Holstad succinctly put it, “burying their dead” at that time, but instead those who grew up in the shadow of the crisis, whether by fate or by choice. Artist Sharon Hayes has noted, “what marks me generationally is that … it wasn’t my friends who were dying, it was the people I was just discovering, people I was just beginning to model myself after, people I longed to become.”

    The artists in Coming After were primarily born in 1970 or later and share a certain queer sensibility that is in dialogue with the past in some way. Rather than melding with the consumer-culture lifestyle that has been touted as GLBT citizenship over the past fifteen years, the work evidences a sense of having come after or missed out on something. The potential represented by this very recent and more faraway radical (queer) historical moments is both an open wound and a fount of inspiration. What was lost along the way from then to now? Some works are specifically referential, while others more obliquely capture a sense of having arrived too late, a kind of knotty nostalgia or even melancholic deflation. For example, one motif in the exhibition is of spaces haunted with both historical resonance and a glimmer of future potential.

    Negotiating their hope and despair about the present and future of our world in complex and compelling ways, the artists in Coming After share a sense of themselves as part of queer genealogies and cultural lineages, with influence and affinity moving across time and space.

    Onya Hogan-Finlay’s project includes a parallel exhibition at the Canadian Lesbian & Gay Archives Gallery, 34 Isabella Street, dates TBA. www.clga.ca

    Coming After will be accompanied by a publication including a curatorial essay by Jon Davies, as well as original illustrations by Logan MacDonald, special artist projects by Ulrike Müller and Jimmy Robert, a transcribed speech by Sharon Hayes and a short text by American artist Zoe Leonard.

  • New Members at “Festive Spirits”

    Golden Shower” by Peter A. Porer

    December 8, 2011 – January 6, 2012
    Opening: Saturday, December 10, 6-8:30pm
    CANADIAN SCULPTURE CENTRE
    500 Church Street
    Toronto ON M4Y 2C8
    Tel: 647-435-5858
    Email: gallery@cansculpt.org
    Hours: Tues – Fri 12-6; Sat 11-4

    * Please note: Gallery will be closed for holidays December 20, 2011 – January 2, 2012

    Please join us in welcoming New Members at “Festive Spirits” – our year end celebrations

    Meet New Members:
    Andy Berg
    Michelle duQuesnay-Jones
    Al Groen
    Shuhui Lee
    Jogi Makhani
    Peter Alexander Por

    Featuring Guest Musicians:
    Peter Shoebridge & Aidan Todd-Parrish

    * Please note:

  • 15th annual CHRISTMAS SPICE

    December 9 – 24, 2011
    Opening: Friday, December 9, 7-11pm
    Paul Petro Contemporary Art
    980 Queen St West
    Toronto, ON   M6J 1H1
    Tel: 416-979-7874
    info@paulpetro.com
    www.paulpetro.com
    Hours: Wed – Sat: 11–5

    This year’s tree 2012 by Maura Doyle features handmade porcelain chain link of various lengths and Eye Bobbles, hand-painted porcelain eyeballs sold in pairs.

    Also featuring In the Gargoyle’s Head with Finger and Nose Mountain amongst other ceramics and small paintings by Amy Bowles.  And Blaue Stunde, new paintings by Julie Beugin.

    With works by:

    John Abrams
    Stephen Andrews
    Julie Beugin
    Jane Buyers
    Keith Cole
    Dennis Day
    Gary Evans
    FASTWURMS
    Marie Finkelstein
    Ron Giii
    Sadko Hadzihasanovic
    Andrew Harwood
    Natalka Husar
    Olia Mishchenko / Jiva Mackay
    Janet Morton
    Garry-Lewis James Osterberg
    Sandy Plotnikoff
    Melanie Rocan
    Morley Shayuk
    Ho Tam
    & others

  • Silent Auction

    Viewing: December 10 –  December 16, 2011
    Closing Reception: Friday, December 16, 6 – 9  pm
    SPENCE GALLERY
    600 Markham St.
    Toronto, ON M6G 2L8
    Tel: 416-795-2787
    Email: spencegallery@sympatico.ca
    www.spencegallery.com
    Hours: Wed – Fri: 5-8; Sat – Sun: 12-6 

    A silent auction of 20 small pieces of art.

    Artwork will be on display and ready for bidding from Saturday, December 10 through Friday, December 16. The auction will end with a closing reception on Friday, December. 16, 6 -9 pm.

    The affordable little treasures in the auction are created by several gallery artists including:

     Carl Karni Bain

    Ivan Ortiz

    Jesus Mora

    Marcelo Suaznabar

    Oswaldo DeLeon Kantule

    Pita Ohiwerei

    Rosslyn Berot-Burns

    Salomon Khammi.

  • Brothers of the Weird

    Devin Flynn, All Things Considered, 2011. Oil on paper, 12″ x 16″

    November 25, 2011 – January 22, 2012
    Opening: Friday, November 25, 6 -9 pm
    COOPER COLE GALLERY
    1161 Dundas Street West,
    Toronto ON, M6J1X3
    T: 647 – 347 – 3316
    E-mail: info@coopercolegallery.com 
    www.coopercolegallery.com
    Hours: Mon & Tues: by appointment
    Wed – Sat: 1 – 7 pm, Sun: 1 – 6pm

     

    Todd James / Devin Flynn / Ian Flynn / Billy Grant / Joe Grillo / curated by Todd James

    This is a show amongst friends, some who are actual brothers, all of whom are actually weird. The artists in this show are brothers in art, connected by psychedelic images, Saturday morning cartoons, graffiti, breakfast cereal, florescent drips, and the spirit of coluoring outside the lines. Brothers of the Weird will be the first time these artists have exhibited together showing paintings, drawings, and sculpture. This will also mark the inaugural exhibition at COOPER COLE.

    Todd James is a self-taught artist whose commercial and fine art career spans over two decades. With roots in graffiti, James is also known under the moniker REAS. He has done design work for artists such as The Beastie Boys, Iggy Pop, Mobb Deep, and Eminem, amongst others. Todd’s paintings reflect a variety of influences, including pop culture and American expressionist painters such as Willem de Kooning and Franz Kline. His work has been exhibited in museums and galleries across the globe including Deitch Projects, Gering & Lopez, OHWOW, MOCA Los Angeles, the Venice Biennial, Tate Liverpool, the ICA in Philadelphia, and more. James lives and works in New York City, New York.

    Joe Grillo is the co-founder of artist collective Dearraindrop started in 1998 as a clothing line with Laura Grant. The collective is currently composed of three artists: Joe Grillo, Laura Grant and Billy Grant. In the past Dearraindrop has worked with a digital electrician Owen Osborn Chris Kuscinski and a painter Alika Herreshoff. Grillo has exhibited his artwork in galleries and museums across North America and Europe. Grillo lives and works in Brooklyn, New York.

    Billy Grant‘s artwork spans multiple mediums including painting, drawing, collage, sculpture, video, animation, and performance. For over a decade he worked exclusively with his collaborative partners in the artist group Dearraindrop. Grant lives and works in Brooklyn, New York.

    Devin Flynn is an artist and animator, who got his start creating music videos. His award winning videos have been exhibited at the Liverpool Biennial, OHWOW, Canada Gallery, and MOCA Los Angeles. His animations have appeared regularly on Wondershowzen on MTV, a web series on Adultswim.com called Y’all So Stupid, and the title sequence for The Aquateen HungerForce Movie. Flynn has curated multimedia shows at the Anthology Film Archive and Deitch Projects. Flynn currently lives and works in New York City, New York.

    Ian Flynn has been showing his work professionally since 2003 and has been a practicing artist for as long as he can remember. Both of his parents are art makers and the act of creating is as natural to him as breathing or blinking. Most recently Flynn was included in the American Visionary Art Museum’s “What makes us SMILE?” exhibition, where he shared the walls with some of America’s finest self taught artists such as Pedro Bell, John Root Hopkins, and John Waters. Flynn lives and works in Los Angeles, California.