Elle Flanders & Tamira Sawatzky, Isdud, 2009
What Isn’t There: Elle Flanders & Tamira Sawatzky
May 1–August 31
Museum of Contemporary Canadian Art, courtyard
952 Queen St W
Toronto, ON M6J 1G8
416.395 0067
info@mocca.ca
Edward Burtynsky, Alberta Oil Sands #2, Fort McMurray, Alberta, Canada, 2007, photo © Edward Burtynsky, courtesy Nicholas Metivier, Toronto
Edward Burtynsky: Oil
April 9–July 3
Opening: April 30, 7–9 pm
Institute for Contemporary Culture, Royal Ontario Museum
100 Queen’s Park
Toronto, ON ON M5S 2C6
Mon – Thu 10am – 5:30pm
Fri 10am – 8:30pm
Sat & Sun 10am – 5:30pm
416.586.5524
icc@rom.on.ca
July 13 – August 13, 2011
TELEPHONE BOOTH GALLERY
3148 Dundas Street West
Toronto, Ontario M6P 2A1
(The Junction, Dundas at St. John’s Rd.)
T: 647.270.7903
E: sharlene@telephoneboothgallery.ca
www.telephoneboothgallery.ca
Hours: Tues by appt., Wed and Sat 11-6, Thurs and Fri 11-7
A narrative suite of paintings that depict beautifully rendered figures that float in a landscape of relationships and conversations that permeate daily life. Sophie Privé has a Bachelor of Visual Arts from Université Laval (1999). She is an award winning artist that has exhibited nationally and internationally. Privé has artworks within several public collections in Québec including Loto-Québec, Colart Collection, CPOA du Musée National des Beaux-Arts du Québec, Fédération des caisses Desjardins du Québec and Bibliothèque Nationale du Québec.
Tim Laurin graduated from Sheridan College School of Design, Mississauga in 1985. He furthered his studies in painting and printmaking at Georgian College in Barrie, Ontario, and also completed master classes with notable artists Joanne Tod, Tim Zuck and Eric Fischl. He has exhibited throughout North America and internationally, including a 2009 exhibition at the MacLaren Art Centre in Barrie. His award-winning work is included in collections of the Royal Ontario Museum and the Corning Museum of Glass, New York. Originally working in sculpture and painting, Laurin’s current focus is on traditional and non-traditional print media.
Sandra Meigs, Purgatorio, A Drinkingbout (Series of Drinkers – Smokey The Bar, No. 2), 1981. NGC Collection © CARCC
Organized by the Museum of Contemporary Canadian Art
Curated by Rae Johnson and Herb Tookey.
Curated by Rae Johnson and Herb Tookey.Organized by the Museum of Contemporary Canadian Art
This Is Paradise/ From the National Gallery of Canada Collection
Curated by Rae Johnson and Jonathan Shaughnessy.
The Museum of Contemporary Canadian Art is pleased to launch our sizzling summer exhibitions program featuring This is Paradise / Place as State of Mind: The Cameron Public House and 1980′s Toronto, and This is Paradise / From the National Gallery of Canada Collection. Following the exhibitions, Impulse Archaeology in 2007 and Art Metropole Top 100 in 2008, This Is Paradise is the third in MOCCA’s ongoing series that recall the rambunctious and fascinating history, evolution and context of contemporary culture in and around Toronto’s Queen Street West scene.
This is Paradise/ Place as State of Mind: The Cameron House and 1980′s Toronto presents a selection of groundbreaking visual art, fashion, performance, music and theatre created by artists whose playground, sometime-home, laboratory, stage, gallery and canvas was the infamous Cameron Public House of the Queen Street West art scene of 1980’s Toronto.
The exhibition provides an overview of 1980s Toronto and an art scene marked by collusion between creative angst, experimentation and vanguard explorations of a burgeoning image-based, media-saturated culture. Curated by active participants in the scene, Rae Johnson and Herb Tookey, the exhibition features an eccentric array of work in all media produced mostly in the 1980s by 47 artists who were key players on the scene, John Abrams, Stephen Andrews, Isaac Applebaum, Rebecca Baird, Napoleon Brousseau, Brian Burnett, Derek Caines, Pauline Choi, Barbara Cole, Cathy Daley, Tom Dean, Reid Diamond, Lynn Donoghue, Andy Fabo, Elinor Rose Galbraith & John Scott, Eldon Garnet, General Idea, Oliver Girling, Sybil Goldstein, Matt Harley, Hummers (Deanne Taylor, Janet Burke, Jennifer Dean, Alan Bridle),Tim Jocelyn, Rae Johnson, Donna Lypchuk, Peter MacCallum, Tanya Mars, HP Marti, Michael Merrill, Handsome Ned (Robin Masyk), Andrew James Paterson & Alan Fox, Evan Penny, Randy & Berenicci, John Scott, Joanne Tod, Renée Van Halm, Video Cabaret (Deanne Taylor & Michael Hollingsworth), Julie Voyce, Lorne Wagman, George Whiteside, Tony Wilson

Joanne Tod, Having Fun? / The Time of Our Lives, 1984 Oil on canvas NGC Collection. © Joanne Tod
In conjunction with the main space exhibition and the National Gallery of Canada at the Museum of Contemporary Canadian Art program MOCCA presents the exhibition This is Paradise/ From the National Gallery of Canada Collection, that features seminal works of the era by Susan Britton, David Buchan, Tom Dean, General Idea, Tanya Mars, Sandra Meigs, John Scott, and Joanne Tod, This is Paradise/ From the National Gallery of Canada Collection, is curated by Rae Johnson and Jonathan Shaughnessy, Assistant Curator, Contemporary Art, National Gallery of Canada, and is organized by the Museum of Contemporary Canadian Art and the National Gallery of Canada.
These projects are a featured component of Paradise Now, an extensive, neighbourhood-wide program of concurrent exhibitions and events from the community-taking place throughout the summer celebrating the phenomena of 1980’s cultural production.
GALLERY 1313
Main Gallery
1313 QUEEN STREET WEST,
TORONTO, ON M6K 1K8
T: 416 – 536-6778
E mail: director@g1313.org
www.lccatoronto.com or www.g1313.org
Hours: Wed – Sun 1- 6
LCCA PRESENTS A VISUAL ARTS EXHIBITION:
“BEYOND OUR ROOTS” is a Visual Arts Exhibition presented by the Latino Canadian Cultural Association that shows the fusion between the different cultures and roots of the Latin American artists involved and the influence of the multicultural society where they work and reside. The artists’ starting point is their own cultural background and experiences, going through the discovery first, and then the sharing of other cultures, to finally, develop and transform them into a new and original product.
Curator: Alejandro Freeland