Author: artoronto

  • Emergence: Nicholas Crombach

    “Skarbakk Minke Whale” (2010) Steel – 36”x12”x12”

    October 1 – 15, 2011
    Art Party with artist in attendance on
    Opening: Thursday, October 6, 7-9 p.m.
    WELLINGTON STREET ART GALLERY
    270 Wellington Street West, Suite 105
    (between John Street & Blue Jays Way).
    Toronto, ON,
    T: 647-352-3463
    wellingtonstreetartgallery.ca
    Hours: Tues-Fri 12-6, Sat 12-4 pm
    The artist explores the complexity of  the human exictence in relationship with the natural world. His work question the morals of these relationships within our contemporary world contradicting beliefs, politics and values.

    “Have you ever thought about the complexity of our existence while considering our relationship with the natural world? Investigating these relationships reveal how we, humans, sacrifice the natural world to sustain human culture; an unavoidable product of human existence. My work questions the morals of these relationships within our contemporary world of contradicting beliefs, politics, and values. Does our relationship with nature occupy the realm of pride or shame?” – Nicholas Crombach, 2011

  • I See What You Mean by Vincenzo Pietropaolo

     “David in his mother’s arms”,  from the book Invisible No More: A  Photographic Chronicle of the Lives of People with Intellectual Disabilties. ©Vincenzo Pietropaolo

    October 1 – 30, 2011
    VERNISSAGE  AS PART OF SCOTIA BANK NUI BLANCHE
    OCTOBER 1 : 7 pm-7 am October 2.
    Carlton Cinema Gallery,
    20 Carlton Street (at Yonge)
    Toronto, ON
    http://www.abilitiesartsfestival.org
    T: 1-888-844-9991 ext.115
    Gallery Hours: 1 – 11 pm

    I See What You Mean is an interactive exhibit which juxtaposes a series of portraits by one of Canada’s most acclaimed documentary photographers, Vincenzo Pietropaolo, with portraits and self-portraits by gallery visitors. In addition to contributions of the general public, Abilities Arts Festivals will engage and elicit the participation of communities portrayed by Pietropaolo in his most recent series, Invisible No More, a photographic chronicle of people with intellectual disabilities commissioned by the canadian Association for Community Living.

     Contributions by exhibit visitors will enrich, inform and engage with the photographic conversation initiated by Pietropaolo.  Gallery visitors will be supplied with tools and resources to generate their own portraits and self-portraits through Polaroid prints, digital and webcam photography, and pencil sketches will which will then be pinned/ projected onto the walls, ceiling and floor of the gallery

     Vincenzo Pietropaolo is a documentary photographer based in Toronto. Best known for his empathetic social documentary photo essays, he has completed major projects on Italian immigrant life in Canada, religious street rituals, migrant farm workers, health care, political protest, the labour movement, immigrant gardens, urban social issues, and architecture to name a few.

    Characterized by a simple and direct approach, Pietropaolo’s photography typically reveals individuals and groups overlooked by history books.  His work has appeared nationally and internationally as feature exhibits, in books and magazines, on television, and in the collections of the National Archives of Canada, the Canadian Museum of Contemporary Photography.

    Invisible No More is a photographic chronicle of people with intellectual disabilities, those withDown syndrome, autism, or who are “otherwise-abled.” This portrait is a narrative and celebration of individuals who might live down the street from us, but we hardly know; girls and boys, men and women who by their “different” behavior and physical looks make us feel uncomfortable. Individuals who, in Pieropaolo’s words, “make raindrops, dance with wheelchairs, walk in the park, perform piano concerts, work for a living, and navigate through all the traffic ahead

    Abilities Arts Festival is a registered charitable organization. For almost ten years, Abilities Arts Festival has been a leader and catalyst bringing together artists with disabilities and a diverse public through a wide range of performance, media and visual arts events. Since 2003, it has employed hundreds of professional artists with disabilities, welcomed audiences in the tens of thousands (collectively) and inspired the next generation of artists through its youth programs.

  • INSOMNIA

    “The Molten Word,” Sam Mogelonsky, Bronze, 2011

    A Nuit Blanche Event
    September 28 – October 2, 2011
    Open all night Saturday, October 1, 7 pm=7 am, October 2
    THE RED HEAD GALLERY
    401 Richmond St. W., Suite 115.
    Toronto, ON M5V 3A8
    T:  416 504-5654.
    Email: art@redheadgallery.org.
    www.redheadgallery.org.
    Hours: Wed – Sa. 12 – 5 pm

    For the sixth year in a row, The Red Head Gallery is presenting INSOMNIA.

    This always unique, always surprising group show, is not to be missed.

    Over 40 amazing artists from across Canada responded to our call, all reflecting on the theme of insomnia.

  • Hugh Mackenzie: 80 plus

    The Valley, 2011, oil on canvas, 18 x 22 inches

    October 8 – 22, 2011
    Opening: Saturday October 8, 2-4 pm, artist in attendance
    Closing Reception: Saturday October 22, 2-4 pm, artist in attendance
    BAU-XI GALLERY
    340 Dundas St. West
    Toronto, Ontario M5T 1G5
    T: 416.977.0600
    E: toronto@bau-xi.com
    www.bau-xiphoto.com

    Hugh Mackenzie has been an important presence in the Canadian art scene for decades. Mackenzie began as a high realist painter before turning to abstraction. He switches easily between the figure and industrial landscape, from the representational to almost pure abstraction and from painting to etching. This exhibition will feature recent figurative and landscape-based paintings.

  • Herbert Mehler: Parallel Nature

    October 1 – November 15, 2011
    LAUSBERG CONTEMPORARY
    326 Dundas Street West
    Toronto, Ontario M5T 1G5
    T: 416-516-4440
    E: toronto@galerie-lausberrg.com
    www.galerie-lausberg.com
    Hours: Tues-Sun 12–6 or by appointment
    open for Nuit Blanche from noon till midnight
    Open every Wednesday evening till 8pm

    Allison Menkes Fine Art and Lausberg Contemporary came together foe Herbert Mehler: Parallel Nature, outdoor steel sculptures.

    Parallel Natures signals the official “opening” of our rear sculpture courtyard and garden.

    Remember every Wednesday evening  (until November 16th) the gallery and the back courtyard will stay open until 8 p.m. for “MEHLER IN LIGHTS: PARALLEL NATURE after Dark”.

  • Upstairs Downstairs

    September 16 – October 16, 2011
    LAUSBERG CONTEMPORARY
    326 Dundas Street West
    Toronto, Ontario M5T 1G5
    T: 416-516-4440
    E: toronto@galerie-lausberrg.com
    www.galerie-lausberg.com
    Hours: Tues-Sun 12–6 or by appointment
    open for Nuit Blanche

     

    Participating artists:

    Joseph Drapell,

    Rafael Barrios

    David Burdeny

    Freddy Chandra

    Franco DeFrancesca

    James Robert Durant

    Marie Lannoo

    Michael Laube

    Harding Meyer

    Udo Nöger

    Rui Pimenta

    Dirk Salz

    Robert Schaberl

    Wolfram Ullrich

    Achim Zeman

    Please be our guest as we introduce a new season highlighting works by Lausberg Contemporay artist.

  • Shannon Gerard | Unspent Love, or, Things I Wish I Told You

    September 9  – December 10, 2011
    Opening:Friday, September 9, 8-10pm.
    YYZ Artists’ Outlet
    401 Richmond Street West, Suite 140
    T: 416-598-4546
    yyzartistsoutlet.org
    yyzbooks.com
    Hours: Tues – Sat 11 a.m. to 5 p.m

    Originally drawn and written as a series of online vignettes for the comics publisher Top Shelf Productions, Unspent Love addresses themes such as hope, fear, and human frailty. The project was later produced as a multi-media bookwork with the support of Open Studio’s Nick Novak Scholarship (2010).

    This third iteration at YYZ will evolve the project in a series of narrative images, unfolding between November 2010 and November 2011 as part of its YYZUNLIMITED program. The experimental space of the wall allows imaginative storytelling possibilities to develop through layering, time-lapse animation and wheat pasting. Gerard will modify the wallwork on a weekly basis for the duration of the project.

    Final image

  • Extended family – photo exhibition by Gayle Humuses

    September 14 – September 30, 2011
    Opening: Wednesday, September 14,  7 – 11pm
    Steam Whistle Gallery
    255 Bremner Ave
    (just south of the CN Tower)
    Toronto, ON
    416-362-2337 ext.246
    info@steamwhistle.ca
    www.steamwhistle.ca
    Hours: Mon – Thurs 12 – 6, Fri – Sat 11 -6, Sun 11 – 5pm

    Successfully envisioned, promoted and created this very well received, original photographic/multimedia documentary project, with a budget of $120K, exhibited in regional museums, prominently featured many times in national news and commended in the Ontario Legislature, May 4, 1993. www.hurmuses.com/exhibsite

    Employed several assistants in the organization of exhibition openings, most notably the Scarborough Civic Centre reception on May 5, 1995, with a team of eight, organizing an all-day media event attended by 1000, featuring political speakers, including the Mayor of Scarborough and the Ontario Minister of Culture and three musical acts, including Big Rude Jake and Jughead and staffed with a volunteer crew of 15.

    Exhibited in major institutional galleries and museums, including: The London Regional Museum, The Art Gallery of Windsor and The Robert McLaughlin Gallery

    This exhibition is a tribute to that community, to my “Extended Family.” Drawing mainly on the van plant photographs, it also includes others, which were shot on earlier occasions, at parties, pares, and events. Its purpose is to give a human face to the jobs that were lost, to present the intangible losses that cannot figure in economist’s charts. Most important to me is that this plant closure be seen not as a displacement of 2800 jobs, but as the displacement of the 2800 people who worked them. It is also important that attention be paid not only to the economic tragedy, but also to the disruption and loss of the community, which was so important and vibrant a part of our lives. As Glen Seidman remarked to me on May 5, 1993 “I keep remembering that a while after I first started here, my girlfriend and I broke up. I was pretty upset about it, and one of the older guys that I worked with said, ‘don’t worry, after 20 years you might be with your 2nd or 3rd wife, but you’ll still have the same co-workers. And I keep thinking, he was right, I’ve worked here for 19 years, and there are guys that I’ve worked with all of that time that are with their 2nd or 3rd wives, but they still have the same co-workers, in fact, I still work with that same guy. Tomorrow, it’s over.”

  • NUIT BLANCHE 2011

    An All Night Contemporary Art Think. October 2, 2010 6:57pm to sunrise.

    For one sleepless night experience the city transformed by hundreds of artists for Toronto’s sixth annual sunset-to-sunrise celebration of contemporary art.

    Discover art in galleries, museums and unexpected places. From a streetcar, alleyways and storefronts to churches, ponds and parks, choose from more than 130 destinations and chart your own path.

    One night only. All night long.

  • Richard Barnes: Animal Logic

    Academy Animals 2004 from Animal Logic-Ed. Of 5 + 2 AP chromogenic print 20 X 24 in.

    Bau-Xi Photo
    September 10-24, 2011

    Have you ever wanted to know what is happening in the rooms marked Closed for visitors in the museums? Internationally known, award winning artist Richard Barnes spent ten years in those rooms, and through his lens we can see that there is actually nothing natural in a natural history museum.

    The restoration team’s effort to create reality is unrealistic. In order to capture the typical landscape they generalize it, creating a fake one. The sky is either too bright or too watery and seems already dusty the moment it is painted. A caretaker is vacuuming the snowy ground beneath the feet of a buffalo while other animals become surrealistic ghosts in their plastic wraps. The habitats are alienated from real life and preserved in order to illustrate nature, a contradiction that creates a “morte vita”, a dead life.

    Emese Krunák-Hajagos